The HEA Cafe

I like writing in the winter.  There’s something about the crispness in the air that galvanizes my muse.  That, and the lack of humidity.  In the winter I can take my laptop out onto my Florida porch and look at all my flowers in bloom, and gloat over how my colleagues up North are buried under snow.  In the summer, I’m out for brief periods in the morning and at sunset, because in between it’s just too, too oppressive.

But you still have to write, no matter what the weather.  I meet people all the time who tell me they want to write a book, and every time I have to bite my tongue.  My automatic response is, “Well, why don’t you?”  I’ve learned though that sometimes folks just don’t get it.  The only way to be a writer is to sit down and write.  The only way to get published is to finish the manuscript.  The only way to finish the manuscript is to keep plunking it out, one word after the other.

That’s all I’ve got today.  But even though I didn’t feel like writing, I sat down this morning and plunked it out, one word after the other.  It’s not perfect, and it’s not finished, but eventually it’s going to be a novel.  Then I’ll be able to lie out in the hammock (at least for an hour or two) and enjoy summertime the way it was meant to be enjoyed.

“Every human is an artist. The dream of your life is to make beautiful art.” – Don Miguel Ruiz.

I recently read The Four Agreements by Don Miguel Ruiz and am trying to apply them to my life, because, hey, like everyone else, I want to help change the world.  It begins with me, right?

Only, applying the four agreements to every area of my life feels like moving the proverbial mountain, so I decided to do a test drive with my writing career. So far, it’s working. Better than working, it’s actually providing what Miguel promised it would: freedom, happiness and yes, even beautiful art.

Agreement One is Be Impeccable With Your Word. In life, this translates to stop the negative voices in your head and quit gossiping about others. When it comes to writing, you can apply this agreement to the voice inside your head that tells you your writing sucks. You can also apply this to your characters. In the beginning of your story, they’re lying to themselves and lying to other folks as well, trying to keep some secret buried or their feelings under lock and key. As the story progresses, they should come to terms with their truth, internally and externally, in order for them to grow.  Make this particular agreement with your readers and deliver it faithfully and you’ll have fans forever. 

Agreement Two is Don’t Take Anything Personally. I struggle with this agreement a lot. I take everything personally. Once I came to terms with the idea behind this agreement, though, I fell like a weight fell off my shoulders. It’s NOT about me. The way others react to me is a projection of their reality, not mine.

With my writing, I’ve learned it’s not about me either. It’s about the story. As the insightful Stephen King tells us, we should serve the story, not our ego. When an agent or editor rejects what we write, it sucks, but remember the rejection is about their reality. They have markets to abide by, budgets to keep in mind, office politics to deal with. Yes, the story is our baby, but it’s also a marketable (or unmarketable) commodity. The book of your heart is not the book of everyone else’s heart.

Agreement Three is Don’t Make Assumptions. Personally, I spend a lot of time reliving the past and projecting into the future.  If I’d only said this, or did that, or stood up to so-and-so, I’d be happier. As writers, we make a lot of assumptions, too. My critique partner said I better drop my prologue or no agent will ever sign me. The hero and heroine must meet in the first chapter because Bestselling Author always writes her stories that way. I’m doomed because I’ve accumulated five rejection letters.

Can you feel the drama? The heartbreak? The despair? Save it for your characters. Channel it into them. And while you’re caught up in their story, pause for a moment to realize you’re living in the moment when you’re writing. Not the past and not future – well, at least not your past or your future. You’re in the present, no assumptions in sight. Live it to the fullest and I guarantee it will show in your story.

The final agreement is Do Your Best. Unlike life, we can redo and rewrite our stories ad infinitum; however, if you do your best with every draft, you’ll end up with a wonderful story you’ll feel proud to show the world.

Even if you’re not a writer, you’re an artist of your own dream, your own life. Check out the four agreements, take them for a test run in one area of your life, and see what comes of it. You might just make beautiful art.

(This blog originally appeared in The Samhellion. Thank you to all the authors who contributed!)

My name is Misty, and I’m a writing addict. 

Today I wrote The End on my third super agent book. As I gave my hero, Michael, his long-deserved HEA, I actually teared up. He’s such a good guy, and I put him through all kinds of hell in the first book of the series, Operation Sheba. His girlfriend betrayed him with his old rival, his boss set him up as the CIA’s mole, and terrorists held him hostage in his own home. He was turned him into a human bomb and shot in the chest.

I left him alone for the second book, giving him a chance to recover. He needed to grieve over losing Julia, and he also needed time to let his physical wounds heal. Then there was the post traumatic stress he was trying to suppress and the deep rage over the hostage situation building inside him. All difficult internal challenges he had to overcome in the third book.

Bringing characters to life, and putting them through hell in order to find a happy ending, gives me a high that no drug can. The thrill of writing sends me on a rollercoaster ride. Every scene, every chapter, is a slow, deliberate climb to the top and an exhilarating zoom down to the bottom again. I’m a prolific writer and when people ask me how I turn out stories so fast, I always tell them it’s not the how that’s important, it’s the why. I’m an addict. I need the rush.

I’m not alone with my God/Dr. Frankenstein complex. Several of the authors I interviewed for this article, including Marie-Nicole Ryan (One Too Many), stated similar reasons for their choice to be a writer. As she puts it, “Writing fills the undeniable urge to create, which is always present in my life. There’s much magic involved in creating and completing a new story.”

Vivi Andrews (The Ghost Shrink, the Accidental Gigolo & the Poltergeist Accountant) loves the control writing gives her. “There is something extremely cathartic, emotionally speaking, about having the power to make that happily ever after happen.  Good, bad, or ugly, everyone gets what they deserve and I get the intense satisfaction of seeing that justice in words when it can be so elusive in ‘real’ life.  If I can control that one area, I can let go of all the things I can’t control.  It’s my own private therapy session for the control-freak within.”

Writing as therapy was a common denominator among the authors I spoke with. “Writing can be boiled down into two major parts for me,” Michelle Miles (Nice Girls Do) says. “One part is Quell The Voices In My Head, and one part is Escapism From The Real World.”

Shiela Stewart (Tempting the Darkness) agrees. “For me, writing has always been both a necessity and a means of escape. I need to get the stories out of my head or it will explode, and escaping into the fantasy world makes me a much saner person.”

In the current economy, escapism is the new black. We’re all in need of a good fantasy. “Writing gives me an escape from the chaos that is my life,” states Kaye Chambers (Tiger by the Tail). “When I’m writing, I can be whoever - or whatever - I want to be and not give a hoot about the consequences!”

According to scientific studies, writing has positive health benefits. Because you use your left brain, which is analytical and rational, to put sentences together, your right brain is free to create, intuit and feel. Mental blocks crumble and give you brainpower to better understand yourself, others and the world around you.

Keith Melton (Blood Vice) has found this is true. “Getting out of my head and into another person’s head, and living their dreams, fears, needs and sorrows, increases my empathy and ability to relate to the rest of humanity. I believe the experience of fiction enhances the connections between us all.”

Whether writing satisfies our need to create, keeps us sane, or helps us relate to others, we are all addicted to telling stories. No drugs or professional therapy necessary. Just another story…

I was going to take a break from writing this week. Do some spring cleaning. Catch up with a few friends over lunch. Paint my bathroom. But all I can think about is the next world, the next character, the next rush. Yep, I need another hit, another story.

Writing is my addiction, and I don’t plan to break the habit any time soon.
Misty Evans is an award-winning, multi-published author of CIA thrillers and paranormal comedy. Visit her at www.readMistyEvans.com .
 

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Ooops.  That’s what happens when my blogging day falls on a Saturday, especially a stunningly gorgeous Saturday in spring.  Thoughts of sitting and staring at a screen completely leave my head.

North Florida has three seasons–a looooong summer, and a delightful spring and autumn.  Between autumn and spring there are some cold days which I won’t dignify by calling them “winter”, but they offer a chance to build a nice fire and drink hot chocolate.

Right now though it’s definitely spring.  I’ve been wiping yellow pollen down from my porch nearly every day.  It finally rained, which was a good thing.  We needed the rain and it cleared much of the pollen away.  Yesterday was a breathtakingly beautiful day, with highs in the upper 70’s F and lows in the upper 50’s. I enjoyed my daily neighborhood walk and tried not to think about what it’s going to feel like in August.

It’s also time for spring cleaning.  In addition to the porch, I’ve been cleaning all over the house, clearing out clutter (including a ton of books to donate to the library book sale), catching up on put-off chores, and thinking about the relationship between spring cleaning and our writing.  In the first (and even second and third) draft, it’s not uncommon for my manuscript to get cluttered and messy.  But  I don’t worry about it.  I figure I’ll write it, and then I’ll clear out the clutter, when my mind is better focused on what stays and what goes.  If I try to do too much cleaning as I go, I get bogged down and end up with perfectly polished chapters 1-3…and nothing else.

So do your spring cleaning, and if you’re writing, remember it’s OK to let the clutter build.  Eventually a fresh breeze will blow through, and you’ll get it all cleared out and neat and shiny again.

It’s late, my brain is focused on pain meds and a looming deadline. So I’m doing a rehash, because I’m betting there are more people who visit this blog than who visit mine. Why? Because I’m not popular and RWAOnline is! LOL

This post is about my ongoing experiences and process of  me as a new-to-NY author, and the process that happens from the time a book is contracted and put on the shelf. So all my posts are STRICTLY my personal experiences. Others may have different experiences.
RECAP

Two weeks ago I talked about the transition to NY from ePub. Here’s a brief recap

ePub – contract offers come in email. Contract runs about five pages. Simple straightforward contract with XX percentage on sale of eBooks off publisher website, X percentage on distributor sales and a different percentage if your book goes to print. Overall process with the contract takes just a few days.

NY – the editor calls with an offer to either the agent or the author (if the submission is from a contest, etc.) Once the offer is made, negotiations begin for final monies

However, NY contract negotiations are much different from receiving an offer via email with a contract attached. The contract is generally twice as long, with terms related to foreign rights, trade paperback, mass-market paperback, hardback, eBook rights, etc. The agent reviews and makes changes in the best interest of their client then the contract is sent to the writer. Once the writer, and then the publisher sign the contract, a check is cut and sent to the agent. The agent then cuts a check to the writer, minus the 15% commission.

This is simplified, but it’s pretty much the whole process with regard to the contract and the advance. An important difference in a NY contract is the breakup of the advance. I can’t say for sure, but my guess is that depending on the author’s selling power plays into how much of the advance you get up front. I’m not for certain though, and all I can attest too is what I’ve experienced.

I thought about working out a scenario of a fictional advance, but that didn’t seem to work well when I was trying to figure it out, so I thought maybe percentages of my deals will provide a decent picture without talking actual monies (per my agreement with Deidre). Because each contract is different, (both of my Berkley contracts are structured differently payout wise) and you don’t always get the same amount of money or distribution percentages. Keep in mind that this is my personal experience as it’s happening and not compiled scenarios of what goes on with other people. The data shown here is strictly to give you an idea about how the advance might play out.

Next Step – Show Me The Money

Explaining how an advance is paid out is difficult because every publisher and contract is different. For example, the breakout percentage wise for my two-book deal is different from my three-book deal.

Unlike I always thought, the advance is not paid out all at once. You get a certain percentage of the advance at different stages of the game. Below is an example of how my contract is paying out in terms of time frame and percentages

Contract signing paid – roughly 40% of the advance, paid about 4-6 months after initial offer
D&A Book 1 – roughly 17.5% of the deal, paid after the editor is satisfied with the final product
Publication Book 1 – 10%
D&A Proposal Book 2 – 5%
D&A Book 2 – roughly 17.5%
Publication Book 2 – 10%

Remember these are percentages of the overall agreed to advance paid to me for two books. So say the advance is for $100K.

That means the author would get $40K at contract signing, $17,500K on D&A, $10K on publication of first book, $5K for D&A Book 2 proposal, then $17,500K for D&A of Book 2 and $10K for publication of Book 2.

On my three-book deal, the allocation of the percentages are different in a screwy way, and I’ve NO CLUE as to why they’re different. An interesting point to note is that in my contract, if I miss a deadline, the publisher has the right to demand the advance back, and make me pay court fees if I don’t pony up the money. EXCELLENT incentive NOT to miss a deadline.

One More Step Forward

My first deadline was March 1st. I beat the deadline by a week. It’s my goal to do that consistently. I think it will be a great professional behavior to exhibit and it will also make it easier to keep ahead of the writing game. If I can finish a book at least a month before deadline, then I’m able to edit it and refine it in two to three weeks.

I was going to post from this point back, and then I realized a couple of things had happened. So I’ll add a bit more.

With Kismet turned in, I was chewing nails worrying about edits. Cindy emailed late last week and said she’ll only have line edits and that she loves the book. Whew!

UPDATE

Update to original post regarding deadlines – I’ve another deadline coming up and I’m running frantic. In fact, it’s so close, I don’t dare name the day in the event it scares the hell out of my muse and she disappears! Hence, the delay in the post as my new boss keeps me hopping where before I had time to do a little blog prep. *sigh* Suffice it to say, I think I’ll make it, but that incentive is definitely scaring the hell out of me.

My editor emailed me late last week and said she was getting ready to discuss covers with house artists. I’m thinking GOOD LORD it’s just March! But, the sooner I have a cover the better. Cindy asked what I thought about Susan Johnson’s new cover and if I was open to something like it for my book. O. M. G. Hell ya, baby!! I love Susan’s cover, so now I can’t wait to see mine. If it’s half as good that baby will fly off the shelves!

This week, Cindy emailed me with blurb copy. O.M.G. I LOVE the tag lines. The blurbs however need some work. The first thing that had to go was the line, “Until a Sheik rides in from the desert…” First thought? Blazing Saddles and the Sheriff riding into town. Umm…nope, I don’t think so! LOL I reworked the copy some and sent it back to Cindy, agreeing with the suggestion she had and offering up my own. She emailed back saying that she was sending it back to the copywriters. I now understand why Claire Delacroix said to be sure and write a detailed, exceptional synopsis.

If you’re interested in reading more about the process, visit my blog or myspace blog every week or so as I record my experiences.
Monica

Monica Burns - http://www.monicaburns.com
Dangerous, Available Now 4.5 Stars, RT BOOKreviews
Mirage,06/09 | RT Top Pick | 2009 EPPIE Best Historical/Western Erotic Romance
Kismet, Berkley, 01/10