What I learned from The Donald
Posted by Linnea on 11 Feb 2008 | Tagged as: Chit Chat, Craft, Writing Life, Books
Not Trump, the entrepreneur. Maass, the agent.
My local RWA chapter–Southwest Florida Romance Writers–hosted Donald Maass for a one-day workshop a few weekends back. I’d read his Writing the Breakout Novel over a year ago and found it interesting and workable. But like many of you, I’ve read a lot of how-to write books. Maass’ was interesting and workable but nothing significantly new.
Still, a chance to see the man in action enticed me. I heard he does a good dog-and-pony. He does. He’s pithy, personable and dynamic. (He also has a New York sense of humor that worked fine with me but I think may have been a tad off-putting for some non-NY/NJ-ers in the audience.) I’ve also heard that if you get one workable idea from any book or workshop you attend, it’s worth the money.
I did. He was.
His workable idea–for me–was this: after you finish writing your first draft manuscript, print it out, go to the middle of the largest area of open space in your house, and toss the pages in the air. All of them. Let them fall where they may. Then sit on the floor and read pages at random, adding tension to each and every page.
Sound nuts? I thought so too at first. But he’s dead-on. Reason being, we read our manuscripts in page by page order. Again and again, as we write the story. Our minds get attuned to upcoming conflict (because we put it there) and we may be assuming or reading in more tension than is actually written.
Reading the pages out of order confuzzles the writerly mind. It makes you look at each page as a stand-alone entity. It makes you examine each page to see if you have tension.
What’s tension? To The Donald, it’s emotion. It’s immersing the reader into what the character is fearing, wanting, lusting for. “What is the most powerful emotion felt in this scene?” The Donald asked in his wry New York accent. “Build details around that emotion.”
Still thinks it’s crazy? The Donald purloined pages from trembling victims in the audience and read scenes out loud. Then he changed one or two things adding emotion. And gosh-golly-dang, if they didn’t come out that much stronger.
And here I thought I’d heard–and read–it all. I hadn’t. Give The Donald’s idea a toss. It works.
~Linnea
SHADES OF DARK, the sequel to Gabriel’s Ghost, coming July 2008 from RITA award-winning author, Linnea Sinclair, and Bantam Books: www.linneasinclair.com
Something cascaded lightly through me—a gentling, a suffused glow. If love could be morphed into a physical element, this would be it. It was strength and yet it was vulnerability. It was all-encompassing and yet it was freedom. It was a wall of protection. It was wings of trust and faith.
It was Gabriel Ross Sullivan, answering the questions I couldn’t ask. Not that everything would be okay, but that everything in his power would be done, and we’d face whatever outcomes there were together.

Linnea - exactly how did he add the emotion?
February 12th, 2008 at 10:37 amBy adding what/how the character felt during the action. For example, if the original sentence read:
I raised my gun and fired at the form rushing through the door.
He’d change it to:
Heart pounding, I raised my gun and fired at the form rushing through the door.
Essentially, anytime a character DID something, he asked the author to have the reader FEEL it, too.
Make sense? ~Linnea
February 13th, 2008 at 2:47 pm